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david o’reilly + u2: i’ll go crazy if i don’t go crazy tonight.
Irish-born, Berlin-based animator and film-maker David O’Reilly is a full out genius. He’s one of my favourite animators; his work is fully next level and it forces your brain to adjust to his sense of...
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robert seidel: _grau hd.
Prepare to have your mind blown. I couldn’t be any more thrilled about this. My first post of 2010 kicks off the year in epic style with the HD re-release of Robert Seidel’s 2004 masterpiece “_Grau.”...
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eb hu: lucky.
I’m like a kid in a candy store today. Scanning through my usual go-to sites is turning up a treasure trove of new work from some of my favourite directors from right before the holidays. I’m going to...
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mirrorshade + holy fuck: royal gregory.
I hate to think of my music video tastes as a foregone conclusion, but this vid has the hallmarks of everything I love: retro, colour, pixellation, Cubism, profanity, electro, a hint of Bauhaus, and...
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zoltán lányi: i’ll have the waldorf salad.
Not only did Zoltán Lányi create this futuristic, fragmented, jolting experimental work to a track by Amon Tobin featuring Bonobo, but he did it while still in school at the Eszterházy Károly College...
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matt pyke & friends: super-computer-romantics.
Any time Matt Pyke is about to release new work feels like Christmas Eve. My favourite digital artist and motion designer ever, Matt’s simply unbeatable at creating innovative, organic and jaw-dropping...
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sticky monster lab: the loner teaser.
As Mrs. Peacock said during the dinner party in Clue, “I mean, I have absolutely no idea what we’re doing here. Or what I’m doing here, or what this place is about, but I am determined to enjoy myself....
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friendly fires + david lewandowski: hurting.
Friendly Fires are a reliable go-to, a steady member of a stable of cherished artists who I know will deliver how I like it each and every time. “Kiss of Life” is one of my have tracks ever, and it’s...
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quasi-objects: lorenzo oggiano.
I’ve always loved the intersection of the digital and the organic, and how the hyper-depiction of seemingly natural subjects can be rendered so realistic that they border on seeming fake. Working in...
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